Caroline Swan House,  
									57 School Street
								One evening Dr. Schumann took Robinson to “a stately house overlooking the lower town, where a stoutish, compact spinster named Caroline Swan absorbed languages, radiated literature and wrote poems, essays and controversial articles. She was a precise lady, dark of eyes and hair, a little stooped and crab-like in her walk, keeping house meticulously for an invalid mother, and fighting, in New England’s own way, for her right to her own life.” Schumann had learned the technicalities of versification from her when he was her pupil in high school. With him and another local poet, Judge Henry Sewall Webster, she formed the Gardiner Poetry Group, meeting weekly at her house. When Dr. Schumann brought Robinson to a meeting, Miss Swan expressed doubts about his qualifications. “Why he’s only a school boy!” she exclaimed. “What does he know about literature?” “Well,” remarked the doctor, “he seems to think he has something in his head that he don’t know how to get out.” (Hagedorn, pages 35–6) When Schumann presented new poems of his protégé, the young Robinson squirmed as he was made the center of discussion. Swan discerned that he was eager to learn, she was perplexed that he had his own ideas and was not easily budged. The weekly meetings deepened Robinson’s realization that technical perfection was important and that he must compress thought and emotion within the confines of historic poetic forms. 
								Henry Richards (1848–1949), who lived in the Yellow House directly across School Street from Caroline Swan’s house, maintained that the character Flammonde was based upon William Henry Thorne (1839–1907), a defrocked priest from New York City, who turned literary publisher. After one of Thorne’s financial failures, he lived for an extended period with Caroline Swan while he established a literary journal, The Globe, supported by Swan. When that venture also failed, Thorne fled Gardiner and left Swan in debt. Robinson had the opportunity to meet Thorne many times when he attended the meetings of the Gardiner Poetry Club, and Thorne published several of Robinson’s early poems in The Globe. There are copies of all the Globe issues that contain poems by Gardiner residents in the Gardiner Library’s Special Collections. 
								The statement by Henry Richards, found in the Yellow House Papers, is so important and reveals information never published such that it is presented in its unabridged form here. Rosalind Richards transcribed her father’s oral history in this transcript. 
								Many of the likenesses and part-likenesses throughout the poems may have been unconscious; flowering from tiny, half-caught seeds; but Flammonde is a photographic likeness.
								With firm address and foreign air, 
											With news of nations in his talk, 
											And something royal in his walk. 
											Erect, with his alert repose, 
											About him, and about his clothes, 
											He pictured all tradition hears 
											Of what he owed to fifty years.
								And again,
								And what he needed for his fee 
											To live, he borrowed graciously.
								About him, and about his clothes …
								Dear me, I can see Henry Thorne, strolling about Miss Swan’s grounds, across the street from ours, as when I was a child; in H. R.’s words, when I asked him for a description the other day, “A tall, good-looking man, with a close-cut beard, in markedly English-looking clothes, gray tweeds, unusual at that time. He used to stroll with his cigar about Miss Swan’s lawns, during the long stays when he was her unasked guest.”
								“It was Miss Vannah who introduced Thorne to Miss Swan; Kate Vannah wished also, and pressed, to bring him here, but we avoided the acquaintance. Miss Vannah’s enthusiasms were apt to be tiresome, sometimes distasteful; and it became evident soon that Thorne was a thoroughly discredited man. He had been a minister, and left his calling (perhaps not wholly voluntarily; no one now would know); he had deserted a devoted wife and five children. He imposed on poor, credulous Miss Swan—he sponged upon her for years, and in the end made away with all her comfortable little fortune.”
								I quoted from H. R. at greater length in an earlier letter about Thorne.
								“He was so patently a wrong ’un that Judge Webster, and even Dr. Schuman, cut his acquaintance; and yet, he was a good-natured, helpful person, and often tireless in helping others. He straightened out many difficulties; but chiefly, he was sincerely and persistently devoted to good literature, working with devoted enthusiasm for years with his little magazine; and perhaps gave the first actual help and encouragement to E. A. R. in publishing his poetry.”
								Before going over all this with H. R., I read him “Flammonde” aloud (he had not looked at it for years); then asked him who Flammonde was. He shouted, “Henry Thorne!” and roared with laughter.
								It should be said that E. A. R. never knew—no one here did, till after her death—all or half of Thorne’s ill-treatment of Miss Swan; or that it was he who made away with her substance. That was a special villainy that E. A. R. would never have forgiven or condoned. 
									 
									 
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								Flammonde 
									The man Flammonde, from God knows where, 
										With firm address and foreign air, 
										With news of nations in his talk 
										And something royal in his walk, 
										With glint of iron in his eyes, 
										But never doubt, nor yet surprise, 
										Appeared, and stayed, and held his head 
										As one by kings accredited. 
									  
										Erect, with his alert repose 
										About him, and about his clothes, 
										He pictured all tradition hears 
										Of what we owe to fifty years. 
										His cleansing heritage of taste 
										Paraded neither want nor waste; 
										And what he needed for his fee 
										To live, he borrowed graciously. 
									  
										He never told us what he was, 
										Or what mischance, or other cause, 
										Had banished him from better days 
										To play the Prince of Castaways. 
										Meanwhile he played surpassing well 
										A part, for most, unplayable; 
										In fine, one pauses, half afraid 
										To say for certain that he played. 
									  
										For that, one may as well forego 
										Conviction as to yes or no; 
										Nor can I say just how intense 
										Would then have been the difference 
										To several, who, having striven 
										In vain to get what he was given, 
										Would see the stranger taken on 
										By friends not easy to be won. 
									  
										Moreover, many a malcontent 
										He soothed and found munificent; 
										His courtesy beguiled and foiled 
										Suspicion that his years were soiled; 
										His mien distinguished any crowd, 
										His credit strengthened when he bowed; 
										And women, young and old, were fond 
										Of looking at the man Flammonde. 
									  
										There was a woman in our town 
										On whom the fashion was to frown; 
										But while our talk renewed the tinge 
										Of a long-faded scarlet fringe, 
										The man Flammonde saw none of that, 
									And what he saw we wondered at— 
										That none of us, in her distress, 
										Could hide or find our littleness. 
									  
										There was a boy that all agreed 
										Had shut within him the rare seed 
										Of learning. We could understand, 
										But none of us could lift a hand. 
										The man Flammonde appraised the youth, 
										And told a few of us the truth; 
										And thereby, for a little gold, 
										A flowered future was unrolled. 
									  
										There were two citizens who fought 
										For years and years, and over nought; 
										They made life awkward for their friends, 
										And shortened their own dividends. 
										The man Flammonde said what was wrong 
										Should be made right; nor was it long 
										Before they were again in line, 
										And had each other in to dine. 
									  
										And these I mention are but four 
										Of many out of many more. 
									So much for them. But what of him— 
										So firm in every look and limb? 
										What small satanic sort of kink 
										Was in his brain? What broken link 
										Withheld him from the destinies 
										That came so near to being his? 
									  
										What was he, when we came to sift 
										His meaning, and to note the drift 
										Of incommunicable ways 
										That make us ponder while we praise? 
										Why was it that his charm revealed 
										Somehow the surface of a shield? 
										What was it that we never caught? 
										What was he, and what was he not? 
									  
										How much it was of him we met 
										We cannot ever know; nor yet 
										Shall all he gave us quite atone 
										For what was his, and his alone; 
										Nor need we now, since he knew best, 
										Nourish an ethical unrest: 
										Rarely at once will nature give 
										The power to be Flammonde and live. 
									  
										We cannot know how much we learn 
										From those who never will return, 
										Until a flash of unforeseen 
										Remembrance falls on what has been. 
									We’re each a darkening hill to climb; 
										And this is why, from time to time 
										In Tilbury Town, we look beyond 
										Horizons for the man Flammonde. 
									 
								 
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